Losing in the arena of public opinion, not legislation, is the real threat to game shooting, and the clock is ticking, warns Jan Roosenburg
For more than 30 years, I have argued that the greatest threat to game shooting is not legislation, activist organisations or even anti-shooting campaigns. The real threat is our failure to understand how public opinion is formed and how quickly it can turn against us when we are absent from the conversation.
I began raising these concerns in the mid-1990s, and they were among the reasons I eventually parted ways with some of the major organisations that claimed to represent sportsmen while paying insufficient attention to game shooting and the cultural challenges we were beginning to face. Too often, the game shooting community waits until the clock reads two minutes before midnight before recognising that a serious problem exists. By that point, the battle is already being fought on unfavourable ground.
We can see examples of this all over the world. In parts of the UK, outdoor sports traditions that had existed for centuries have been severely restricted or eliminated. Across northern Europe, similar trends have emerged or are already even further advanced. Whether one agrees with every decision that has been made or not, the lesson should be obvious. Game shooting does not disappear because shooters suddenly stop shooting game. It disappears because public support erodes to the point where politicians no longer feel any need to defend it. Once that process reaches a certain stage, reversing it becomes extraordinarily difficult.
That is why I believe game Shots must first take an honest look at who we are facing. It does us no good to describe everyone who opposes shooting as ‘the enemy’. We’re not fighting a war. We’re competing in the arena of public opinion, and success in that arena requires a different strategy. The dedicated anti-shooting movement is relatively small. But so is the game shooting community. The outcome will not be decided by either group. It will be decided by the vast majority of people who sit somewhere in the middle.
These are individuals who may have little knowledge of wildlife management, conservation, farming or the realities of life in the outdoors. They are not passionately opposed to shooting, but they are susceptible to emotional arguments, selective information and outright misinformation because they lack the experience and knowledge necessary to evaluate those claims.
A photograph of a wounded deer or a dead eagle can generate an immediate emotional response in a way that a detailed explanation of wildlife management rarely can. Even if the image is misleading, arguing about the details often means we’re fighting on terrain chosen by our opponent. By the time people are debating whether the photograph is authentic, the emotional impression has already been made. We need to reach these people, not our opponents – they must become our audience.
The average urban resident today lives further removed from nature than perhaps any generation before it. Many have never seen livestock raised, never witnessed predation, never observed wildlife populations being managed and never spent significant time in the woods. Their understanding of nature is often shaped by documentaries, social media clips, animated films and carefully curated images that present wildlife as individual characters rather than components of larger ecosystems. If we fail to recognise this reality, we will continue talking past the people whose support we need.
Education therefore becomes critical. In my view, one of the most important places, besides social media, to begin is in schools. Children are naturally curious about wildlife, ecosystems and the outdoors. When they learn how conservation works, how wildlife populations are managed and how shooting has historically contributed to conservation, they often carry those lessons home.
In many cases, children become educators themselves, sharing what they have learned with parents who may never have been exposed to these subjects. Long-term cultural support for shooting will not be built through political slogans. It will be built through education and understanding.
At the same time, the game shooters themselves must become more sensitive to how non-shooters perceive our actions. This is an uncomfortable subject for some people, but it is necessary. Consider a couple walking through a field who stop to admire a rabbit. To them, it is simply a pleasant encounter with nature. If moments later that rabbit is shot in front of them, their emotional response is entirely predictable. They will likely be upset, disturbed and perhaps angry.
Regardless of whether the action was legal, ethical and biologically justified, that experience may transform them into lifelong opponents of shooting. The shooter may feel he has done nothing wrong, yet enormous damage has been done to public perception. Responsible Shots should understand that context matters. We should not only strive to shoot ethically; we should strive to avoid creating unnecessary negative impressions among those who do not share our background and experiences.
Perhaps the most important thing game Shots can do, however, is tell the truth. Too often, when asked why we shoot, people immediately begin reciting talking points about conservation, habitat management or helping other species. Those benefits are real, but they are not the primary reason most people wake up before dawn, sit in a freezing high seat, stand soaking wet at their peg or spend days hiking mountains in pursuit of game.
The truth is much simpler. We shoot because we love it. We enjoy the challenge, the connection to nature, the traditions, the skills and the experience itself. There is nothing shameful about admitting that.
Once we have been honest about that fundamental motivation, we can then explain the broader picture. We can talk about our respect for wildlife. We can discuss habitat conservation, winter feeding programmes, volunteer work and the countless hours we spend improving landscapes for animals we may never harvest. We can explain that shooting is not merely about killing but about harvesting food, participating in a tradition and maintaining a relationship with the natural world that many modern people have lost.
Honesty creates credibility. Credibility creates trust. And trust is ultimately what wins public support.
Shooting game is not a right in the practical sense in which many people describe it. It is a privilege. It is a privilege granted by society, managed through laws and regulations and sustained only so long as enough people believe it serves a legitimate role. With that privilege comes responsibility. Game shooters must conduct themselves in ways that reflect positively on the entire community because every public interaction becomes part of the larger story people tell themselves about game shooting.
The clock is moving faster than many realise. Across North America, the UK, the Continent and elsewhere, cultural attitudes are changing. Urban populations are growing. Fewer people have direct connections to farming and outdoor traditions. If shooters continue speaking only to other shooters, we will lose ground year after year regardless of how strong our arguments may be.
The future of game shooting will not be determined in manor houses, conservation banquets or social media echo chambers. It will be determined by the millions of ordinary people who neither shoot nor oppose game shooting, but who are capable of being persuaded in either direction and who do vote for politicians. We must face a communications reality that many shooting advocates underestimate: in a social-media environment, the side that frames the emotional narrative often has an advantage over the side that tries to win a technical argument.
Winning their understanding is not optional. It is the single most important conservation challenge shooters face today. That may mean spending less time rebutting opponents and more time demonstrating tangible conservation outcomes, stewardship and community benefits. The challenge is that those stories are less dramatic than controversy, but they are often more effective with the audience in the middle.
Jan Roosenburg is a passionate Shot based in South Carolina.
Closes 15 JanuaryWorth £129.90Win a pair of tickets to the British Shooting Show 2027Enter nowFree to enterGet the latest news delivered direct to your door
Discover the ultimate companion for fieldsports enthusiasts with Shooting Times & Country Magazine, the UK’s leading weekly publication that has been at the forefront of shooting culture since 1882. Subscribers gain access to expert tips, comprehensive gear reviews, seasonal advice and a vibrant community of like-minded shooters.
Save on shop price when you subscribe with weekly issues featuring in-depth articles on gundog training, exclusive member offers and access to the digital back issue library. A Shooting Times & Country subscription is more than a magazine, don’t just read about the countryside; immerse yourself in its most authoritative and engaging publication.
New competitionWin a pair of tickets to the British Shooting Show 2027Worth £129.90Closes 15 JanuaryEnter now ›